Please use this identifier to cite or link to this item: http://hdl.handle.net/123456789/5447
DC FieldValueLanguage
dc.contributor.authorRaja Iskandar Raja Haliden_US
dc.date.accessioned2024-01-04T03:35:29Z-
dc.date.available2024-01-04T03:35:29Z-
dc.date.issued2023-
dc.identifier.isbn978-967-0021-91-1-
dc.identifier.urihttp://hdl.handle.net/123456789/5447-
dc.descriptionMapimen_US
dc.description.abstractThe Rebana Kercing performing art is an invaluable cultural heritage that has been inherited for many generations. As mentioned in previous chapters, the performing art requires the involvement of drum players who use drums or tambourines to produce the pleasant sound of ‘‘kercing’’ when played. The term Rebana Kercing occasionally refers directly to such tambourines used when performing. Visually, Rebana Kercing is a single-face frame drum or a membranophone made of nangka (jackfruit) wood and goat skin, attached with pairs of small copper cymbals or zills. It is similar to the western tambourines and produces a ringing sound or ‘‘kercing’’, differentiating it from kompang. The Rebana Kercing is mainly similar to the terbang in Indonesia and the duf of middle-eastern countries.en_US
dc.publisherUMK Pressen_US
dc.titleChapter 7 The Instrument of Rebana Kercingen_US
dc.typeNationalen_US
dc.description.page61-68en_US
dc.title.titleofbookRebana Kercing of Kampung Laut: The Preservation of the Arten_US
dc.description.typeChapter in Booken_US
item.fulltextWith Fulltext-
item.openairetypeNational-
item.grantfulltextopen-
crisitem.author.deptUniversity Malaysia Kelantan, Malaysia-
Appears in Collections:Book Sections (Others) - FTKW
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